Jennyanykind

Revelater (Elektra 1996)

http://www.mediafire.com/?mt0ddyvcbnu

The major label frenzy to sign anyone within sniffing distance of your Nirvanas and Sonic Youths resulted in greater exposure for some and ruin for others. Were advertisements in shitty rags, MTV airplay and product placement in the rural malls really going to make Jennyanykind, Scrawl, Jesus Lizard and Jawbox more palatable to most folks? Hell, most of these bands weren’t even palatable to me by this point.

I have no clue why a major label like Elektra decided to sign a band that was enamored by Jesus Christ, Jerry Garcia, Quicksilver Messenger Service, Howling Wolf, Flaming Lips and Pink Floyd and market it as an indie-rock album. Sure, their work had a raw, punky edge at times and their earliest work was released by the No. 6 label(Beme Seed, Crystallized Movements, Luna, Nada Surf, etc), but this was surely a big ass square block in a teensy-weensy round hole. It’s a shame since Revelater cuts the fat from their meandering jams and rants which results in bizarre southern rock songs about the apocalypse, humility in the face of god’s power, the dangers of a sinful life and repentance.

This isn’t a shtick–No sight of high pitched whines and tree costumes ala Danielson. Michael Holland’s lyrics are earnest explorations of his own struggles with faith and the misdeeds of his past. He comes off as troubled and angry on half of the tracks while the other half play loose and fancy free with light-hearted hippie psych that wouldn’t sound out of place on an early 70s Dead record. I’m more interested in the angry, conflicted side of Holland that searches for meaning in the universe in a three-minute pop song on his major label debut. What were they thinking? It was commercial suicide and sit kind of sunk the band for good. Yes, they released many more albums, but they sort of blew their cosmic, soul searching load on this one.

Revelater got no respect from anyone. Its been dismissed by hipsters, hippies and christian rockers alike. However, I believe it may be one of the most underrated albums to result from the major label feeding frenzy of the 90s. Revelater is a fried, almost paranoid ode to the power of a vengeful god masquerading as an indie-rock album. Love it to death and like most of this band’s work. i’ll be posting more this week.

The 6ths

Wasp’s Nest (London 1995)

http://www.mediafire.com/?eztmxiwxdnt

Stephin Merritt has always utilized the vocal talents of others to realize his artistic vision. His choices were sometimes a bit suspect on 69 Love Songs, but he usually has a great ear for who best coalesces for this tragic songwriting. His best collaborations can be found on Wasp’s Nest, the 6ths debut, but how can you go wrong with a roster of vocalists that includes Barbara Manning, Mary Timony(Helium), Dean Waeham (Galaxie 500), Amelia Fletcher (Heavenly), Rober Scott (The Clean/Bats), Mark Robinson (Unrest), Chris Knox (Tall dwarves), Georgia Hubley (Yo La Tengo) and Max MaCaughan (Superchunk)?

The music doesn’t differ from the baroque electronic indie-pop that marks his work in the Magnetic Fields. The lyrics doesn’t stray from his usual tales of unrequited love and romantic promises, but the roster of vocalists make this his best release. From Barbara Manning’s ode to the joys of the San Diego Zoo to Georgia Hubley’s rejection of a lover who can never compare to her own imagination, every element of each song is on point. The highlight is Dean Wareham’s take on “Falling Out of Love With You” which documents the dissolution of a relationship in a blase sort of way. I always loved the lyrics to this one although they sound better in performance than on your screen.

“In an old silverline
I was yours, you were mine
I was hoarse, you were mean
We designed drum machines

But every day in every way
Im falling out of love with you
Every kiss means less and less
Im falling out of love with you
Every hour kills a flower
Im falling out of love with you
You just bore me more and more
Im falling out of love with you

They made sounds much like drums
I was young you were dumb
Now youre older and im wiser
We design synthesizers

But every day in every way
Im falling out of love with you
Every kiss means less and less
Im falling out of love with you
Every hour kills a flower
Im falling out of love with you
You just bore me more and more
Im falling out of love with you”

It is playful, bitter, sarcastic and a downright mean rejection, but the music is so chirpy and bright that you find yourself humming along with each caustic word. Now that’s a pop song.