Slowdive

Pygmalion Demos

http://www.mediafire.com/?um1ms1lcuri

During my teenage years, I heard some tracks from My Bloody Valentine’s Isn’t Anything and the resultant eps and they had me at hello. I loved Sonic Youth’s Daydream Nation, but had no frame of reference for the sounds emanating from my shoddy boombox. I bought all I could and discovered the Creation label which led me to collect a string of eps from Moonshake, Telescopes, Swervedriver and most importantly, Slowdive. The s/t and Morningrise eps contained music even more alien than the MBV releases since it borrowed from them, but made it so sluggish, noisy and it sounded like a funeral dirge. I loved this point in their development and still hold it in the highest of regards. However, Slowdive’s full-length, Just For a day, relied on ep tracks for traction and the rest was underwhelming. Souvlaki was another bag meat shavings that we’ll for another day.

I liked Just For a day and Souvlaki just fine, but sort of wrote them off a bit until their grand finale Souvlaki was released. This album didn’t even get a proper release in the United States. The album was generally ignored in comparison to its more readily available counterparts. However, I picked up the 5(In Mind) eps and was amazed at how they had taken a u-turn from shoegaze and even traditional song structures involving choruses and crescendos to a more amorphous approach.

Souvlaki is sparse to say the least. In my mind, it gets bunched with Flying Saucer Attack’s excellent Further album as the two finest examples of a progression of English acid-folk recorded by actual English bands. Pygmalion. It’s shoegaze on a handful of qualudes and serious personal issues. It is the sound of a breakup, both musically and personally. However, I wouldn’t peg Pygmalion as a particularly sad album. It’s a doped-up bummer to be sure, but there are glimmers of optimism throughout. This charade has gone on long enough and it is supposed to be about the demos for Pygmalion. Well, the demos bear little relation to the actual album. It is obvious that the band had an overflow of songs and ideas as these demos include many songs left on the cutting floor. Many aren’t even songs, but sketches. However, this collection of demos stands on its own as a viable album, albeit even more ghostly and gloomy as its official brethren.