Seefeel – Succour

June 18, 2008

Seefeel

Succour (Warp 1995)

http://www.divshare.com/download/4018764-2c6

Man, talk about a progression from light to dark. Seefeel’s Succour is their grand finale and it is so different from the 4ad/electronic/shoegaze puppy pile of the earliest eps and the hypnotic roundabout of Quique. However, the Starethrough ep posted here last week hints at the dark, pounding lonesome soundscapes they explore here. It is no surprise that later solo efforts and side projects were released on the Touch label since this is a heavy slice of brooding drones with sad robotic loops to keep it company.

In some ways, this is my least favorite Seefeel album, but there is an argument to be made that it is a misunderstood album. I believe my disappointments were rooted in their refusal to provide a swirling soundtrack for the next bong hit. I loved their earlier albums and I felt somewhat let down by the grim, depressing music they released as a farewell. Even Sarah Peacock’s coos and sighs are manipulated to sound like cries from a well instead of a sensual mantra. In fact, much of this could have been released on an early 80s industrial/electronic comp and no one would blink an eye.

I am still conflicted about Succour, but two tracks stand as some of the most sublime moments the band ever recorded. “Rupt” may be one of my favorite songs ever released on Warp as it improves on the formula of the Starethrough ep with dubby bass, endless looping of Peacock’s nonsensical chants and a slow-motion, rumbling drone that rumbles upwards and downwards. “Ruby-Ha” somehow predicts the genius of Boards of Canada’s debut as it lays a foundation of chimes and puttering beats that really embodies all I loved about this band.

Seefeel

Starethrough Ep

http://www.mediafire.com/?xxzvo92v9xy

It isn;t hard to find someone who believes that My Bloody Valentine’s Loveless was one of the most forward-thinking, seminal releases of the 90s. However, I believe Seefeel belongs in that same conversation because they sort of took it to the next level that Keven Shields always promised, but hid away behind a supply of Twinkies. Seefeel spliced dub, shoegaze, psych, dub and idm into a hypnotic swirl that no one has really nailed since. Yes, Quique is a perfect album and the one most fans point to as the pinnacle of their short lifespan, but the Starethrough ep may be their most focused statement. It represents a way station between their focus of treated guitars and a shoegazing exterior to the altogether different, but inferior idm/dub excursions that marred Succour, their finale on Rephlex.

They keep in relative simple here. Sarah Peacock’s cooing is sampled and used as a mind-numbing mantra that oozes a cold sexuality as the simple loops of chiming keys, strings and beats echo over and over again. It delivers on the ethereal promises that 4ad failed to deliver during these years and pointed a finger towards the endless musical possibilities that rock could offer when merged with newfangled technology.

It still sounds fresh today and will blow your boo-boo loose under the right circumstances.