Various Artists

Chains and Black Exhaust (Jones 2002)

A Memphis DJ who wrote for Wax Poetics magazine released this comp of 60s and 70s of downright raw and nasty funk and rock in the vein of Funkadelic’s Maggot Brain minus the long, drawn out monologues about, well….maggots on the brain. This comp is a tribute to the influence of  Jimi Hendrix and Eddie Hazel to be exact. Most, if not all artists are African-American funk bands who are in love with the power of Motor City rock and roll. Some of the instrumentals have been sampled by hip-hop artists and it’s not surprise since the instrumental tracks picture a world where George Clinton took over Stax records.

The most “recognizable” band on here is Black Merda whose self-titled album is fiercely funky psych-rock album, but you will want to track down the scarce discographies of LA Carnival, Sir Stanley and other lost pioneers of an era where funk-rock didn’t mean a bunch of surfers wearing socks on their ding dongs. It is a perfect snapshot of a time where Motown, Stax, Nuggets and fried guitar riffs all went together like peanut butter and jelly. In particular, Grand Am’s “Get High” mostly consists of the aforementioned chorus and puffing sounds, but the guitar playing on this is so primitive and unhinged that it bashes you on the noggin. I cannot tell you much about the artists here because many of these tracks were neglected by history and only resurfaced due to the diligence of this wonderful DJ. I only wish today’s soul music and r&b could achieve the psychedelic pinnacles achieved here.