Matt Suggs-Amigo Row
October 3, 2008
Amigo Row (Merge 2003)
It warms my cockles when readers send word that they truly loved something I posted. However, I was unprepared for the onslaught of three emails asking for the followup to Matt Suggs’ first album. Yes, three requests seems lonely to the likes of you, but I assure that they arrived in a fast and furious fashion that made me sweat a drop or two. I agree with all three of you. Matt Suggs’ solo album suggest what Stephen Malkmus actually wanted to achieve after he broke from Pavement. These are well-written, literate, moody ablums that keep one foot in the ironic 90s while poring through 60s psych in a way that somehow maintains the personal voice of the artist. I did love the odd arc taken by Malkmus on his Pig Lib album, but Suggs appropriations seem so natural and unforced instead of a decision to mine the past while sucking the teat of the profitable legacy.
Anyhow, Amigo Row is a close second if this anonymous lout had to choose between the two. There was a joy to be free of his previous band that lacks here. However, this one meanders in some more progressive directions. It’s a looser album due to the fact that he has used up his punchiest tunes of the debut and now must feel his way around to discover the next plateau. Fir the most part, it is successful. If the debut has suckered you into its humble grasp, then this is a wholly satisfying way to dig deeper into an artist who successfully broke free from his paper-thin shackles.