Susanne Abbuehl – April

June 29, 2008

Susanne Abbuehl

April (ECM 2001)

http://www.sendspace.com/file/w9tewq

I sometimes think that the sentimental, sappy side of personality is what causes me to love every release on the ECM label. Yes, some of their 70s output was fresh, confrontational and new, but their overall output is so minimal and pleasant that I feel as if I’ve been brainwashed through constant exposure. How did a label responsible for Bernie Maupin’s Jewel in the Lotus and Julian Priester’s Love, Love give rise to some of Keith Jarrett’s snooze-a-paloozas? The sick shit is that I own a few Keith Jarrett albums. I have a problem. Don’t even get me started on my fanaticism about Meredith Monk. I play these records for people and its like I’m arguing that cocktail wieners or a box of nerds are as special as a truffle.

Thankfully, my addiction is easily sated since it’s relatively easy to find recent ECM releases in local budget bins. I even felt a lame rush of excitement when I found a vinyl copy of Don Cherry’s Codona the other day. Therefore, I get to discover gems like Susanne Abbuehl’s April and share them with my limited readership.

Susanne Abbuehl is a Swiss/Dutch singer and composer who has studied Indian classical music and recorded two albums for the ECM label. April is her debut and it includes a revamp of “Round Midnight” and a few Carla Bley tunes as well as a curious hybrid of cocktail jazz and a raga. On the surface, Abbuehl’s voice could woo your casual fan of Norah Jones or Diana Krall, but there is something far more sophisticated at work here. Her backing band plays so gently and minimally that there are no crescendos or climaxes to be found. The end result is a slow burning, sensual jazz vocal album that is stunning in its own subtle way. I guess it’s a bit of an aural bubblebath complete with stinky candles, but sometimes a fellow has treat himself like he’s got some class.

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